Knowing how Universal screws up everything they touch regarding vinyl, I wouldn't touch their set with a 10 foot tonearm. They've continually botched many releases in the past. Some sound absolutely dead and muffled (like the Police Zenyatta Mondatta 180g reissue and from what other listeners have told me, their others from that era are just as poorly mastered). Their version of Nirvana's reissued Nevermind is also a mess.
Yet when they get the sound right, they fark it up completely by having some hack plant like GZ Vinyl press it (work sent to the lowest bidder, my friends), so the vinyl comes scuffed and scratched from the factory and plays back worse than used vinyl. I imported a copy of Dire Straits' On Every Street that came that way, and I even got a replacement set that was just as badly made as the first one; I could not even "Frankenstein" together one playable set out of both! (This is a 2-LP release.) And to add insult to injury, the records were mastered by Chris Bellman (who is one of the ace mastering engineers at Bernie Grundman's mastering house). So between the noise, the music itself sounds fantastic. Too bad the pressing is garbage.
If a competent company like Mobile Fidelity, Analogue Productions, or even Music On Vinyl would do it, I'd consider getting a few of the LPs. (Not a set, since I only like maybe four or five of the albums enough to buy them.) But if Universal does it? No thanks. They only do vinyl now "because vinyl."
Don't forget sources either. Keep in mind that chances are, the two-track masters for the original mixes have likely all been lost in their latest fire. So at the very least, vinyl would be cut from backup copies (safeties?) and likely would sound no better than the CDs. (Knowing Universal's track record, it would not even surprise me if they mastered the vinyl from CD!) And that's the key there, too--original mixes. That would be the ultimate deciding vote in my individual case.
And yes, I hope they do take note and read my comment here. In the vinyl/audiophile world, their vinyl reissues are the laughingstock of vinyl collectors. If this helps change their process, then it's all for the better. I would even pay a few dollars extra to get something that sounds excellent and plays through without defects. There are plenty of good pressing plants doing stellar work today. No need to support the bottom feeders just to save a few cents per copy.
Ouch...painfully so!
