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Just a quick FYI if anyone's interested.
Over at the vocal forum 'therangeplace', Karen (amongst many other singers - see their index [soon to be revamped]) has been fully researched and made a vocal range profile. It's wonderfully comprehensive.
It has been decided over there that the 'B'wana She No Home' E♭6 is a bit too faint, and/or reminiscent of an odd synth (like in Man Smart Woman Smarter and Occpuants) to be fully countable so it has been placed under 'Questionable Notes'. The very low C3 that can just about be isolated in If I Had You, is similarly not counted due to its faintness. Instead, the B♭5 in B'wana She No Home that is much clearer and higer quality, and the D3s heard in A Song For You etc. (yes there are more songs way down low!) make up her 'definitive', 'undeniable' vocal range.
[SNIP]
The huskiness and brasher technique of Carpenters' best-known hits of the early '70s sounds more akin to a higher smoky Contralto, but by '73 or so Karen had settled completely into her voice and refined her technique (improved it; much healthier for the voice) and she blossomed into a Mezzo. My hunch is this why Karen herself was so keen on rerecording Ticket To Ride, Top Of The World, Merry Christmas Darling and Someday (in '73, '78 and '80).
[SNIP]
Something always noted about Karen is her need for close miking, due to her lack of power (LOUDNESS!) - this almost never happens with Contraltos; they tend to struggle at holding back and taming their voices! Contralto=Cavernousness.
If you listen to Karen 'belting' (technically in mixed voice) it is bright, womanly, and crucially low in outright volume. Even when compared to a 'Contralto-lite' (a not particularly lowset Contralto, can just about be called Contralto) like Toni Tennille there's a stark difference:
If a direct comparison would be helpful betweeen Contraltos and Mezzos - the following two videos compile a number of prominent singers by voice type; play them in sequence to compare etc.
You can hear how Karen fits much better alongside the Mezzos - Contralto is very much a different territory!
The only difference I hear is that the lower notes of the mezzos did not ring as Karen did at D3 - F3. I can hear both characteristics in Karen’s voice depending on the song. She had an extensive range that makes it tough to catagorize and could sing the most complex interval leaps with precision and her rhythm and phrasing were expressive and her tone and timbre a God send. A true natural talent. Her classification is not as important as her body of work and accomplishments. The high and low note of every song is interesting reading but just the pleasure of listening to the song is most important or who would have any interest in any of it. So, I can see your point, but I can see both. I knew someone once who had two voices similar to Karen who was catagorized mezzo but again, she could only get to G3. Karen could go a fourth lower, and ring as a bell with tonal clarity.
If a direct comparison would be helpful betweeen Contraltos and Mezzos - the following two videos compile a number of prominent singers by voice type; play them in sequence to compare etc.
You can hear how Karen fits much better alongside the Mezzos - Contralto is very much a different territory!