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It depends on how many of the recordings we own from that artist. I might own one of a recording by an artist who has recorded dozens. With Tito Puente, I own about 20 of his albums; he recorded close to 110. And that doesn't even count 78 RPM records prior to the LP era.So is the rule "no duplicates and no comps"? That would make the results skew toward artists who simply had a lot of LPs as opposed to those with only a select few.
Apologies for any confusion. I really meant to keep it simple -- so the only rule was that the release must be an "album" -- any and all formats.So is the rule "no duplicates and no comps"?
Judy wanted a full frontal but the record execs said no.On Judy Collins 1979 album "Hard Times For Lovers", she bares the back of her body!! Her version of Melissa Manchester's "Through The Eyes Of Love" is not bad.
Woody always been solid. I liked the early '70s Fantasy period best.Maynard, Woody, Buddy.
Regarding Phil Ochs, there is an online magazine called "The Wire." It has Och's "Pleasures Of The Harbor"in its list of "100 Albums That Set The World On Fire When No One Was Listening."Hands down Herb for me, with BMB, Phil Ochs and Carpenters pretty much tied for a close second... (Interestingly Ochs has had more releases after his death than during his life, by about 2 or 3 to one)
--Mr Bill
John,Since I'm new here, I must ask - is there a way to edit your post after you've posted it? There are some misspellings in my post above and they're driving me crazy - lol.