AOTW: Jimmy Owens - HEADIN' HOME (SP-729)

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Captain Bacardi

Well-Known Member
Thread Starter
Jimmy Owens

A&M/Horizon SP-729


Released 1978

Format: Vinyl/8-Track/Cassette

Produced by Coleridge-Taylor Perkinson

  • 1. Home (Charlie Smalls) - 5:53
    2. New Tune (Coleridge-Taylor Perkinson) - 5:47
    3. Dreaming My Life Away (Jimmie Owens/Norma Jordan) - 5:45
    4. Never Subject To Change (Jimmie Owens) - 5:34
    5. B.S. (Coleridge-Taylor Perkinson) - 6:51
    6. Sweet Love (Kenny Barron/Chris White) - 9:42
    7. Exercise (Dis'Go, Dis'Way) (Coleridge-Taylor Perkinson) - 6:21

    1, 2, 5, 7 - Arranged by Coleridge-Taylor Perkinson
    3, 4 - Arranged by Jimmy Owens
    6 - Arranged by Kenny Barron

Jimmy Owens - Trumpet and Flugelhorn
Kenny Barron - Keyboards
Coleridge-Taylor Perkinson - All Electronic Keyboards
Stanley Cowell - Keyboards (7)
George Davis - Guitar
Carlos Alomar - Guitar
Mantwila Nyomo - Guitar (5)
Brian Brake - Drums
Billy Cobham - Drums (7)
Gary King - Bass
Chris White - Bass (5, 6)
Erroll "Crusher" Bennett - Percussion
Saxes & Flutes: Alex Foster, Jerry Dodgion, George Barrow, Seldon Powell, Harold Vick
Trumpets: Virgil Jones, Jon Faddis, Charles Sullivan, Victor Paz
Trombones: Wayne Andre, Al Peterson, Janice Robinson, Earl McIntyre

Recorded and Mixed at Audio One, New York
Engineers: Ed Rice, Gary Roth and Michael Repp
Mixing Engineer: Ed Rice
Mastered by Greg Calbi at Sterling Sound, New York
Production Assistant: Pamela Ross

Art Direction: Roland Young
Design: Chuck Beeson
Photography: Bill King
Illustration: Jim Barrett

Capt. Bacardi

Captain Bacardi

Well-Known Member
Thread Starter
A pretty disappointing album. Disco, disco, disco. The only redeeming song is a gorgeous ballad by Kenny Barron - "Sweet Love". The rest of the album is garbage.

This was the last Horizon album with the yellow & orange label.

Capt. Bacardi

Mr Bill

Gentlemanly Curmudgeon
Staff member
Captain Bacardi said:
This was the last Horizon album with the yellow & orange label.

And the last with Horizon as a strictly "jazz" imprint. A&M changed direction with Horizon after this both in look, music styles and label management. Artists signed after this were more "obtuse" (for lack of a better word) or "different." Not so obtuse as to be "avant garde" not jazzy enough to be ECM-caliber artists but not "mainstream" enough (for the time) to fit other clearly definable categories. The new look/style didn't last long though. Horizon was done soon after, only briefly resurrected again in the 80s as part of the A&M-distributed Word family of labels...

--Mr Bill
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