I Know My First Name Is Stephen
Skip Touch Me When We’re Dancing? Sacrilege!Although many tracks benefited from the RPO tinkering, in my ears this track has been saved from the *skip* option.
I have to say that of all the tinkering Richard has done, this one really benefits the most. It sounds so new, like Karen is right in your lap. The original version is drenched in reverb and the new orchestration, whilst identical to the original arrangement, is really fresh. I’m glad Richard didn’t touch the sax solo though.
If there’s ever a volume II, I’m holding out for A Song For You. As I’ve said from the very beginning, that track is crying out for the RPO treatment.