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Oh @GaryAlan I can't wait for you to read this book...Again, I assume too much,
but, I thought Sherwin Bash was recommended by Herb Alpert.
No doubt! Anyone with a radio couldn't escape the Carpenters (not that we'd have wanted to!). I was merely speculating that Neil Sedaka might have been a bigger draw, among the typical middle-aged (and older) gamblers that frequented Las Vegas. The Carpenters, being the much "newer" act, had a lot of younger fans. I was a teenager in 1975 (as I know many of us were), and the Las Vegas of the 1970s wasn't known for being a "family friendly" place. With concerts held in casinos, and complimentary alcoholic beverages served to patrons during the show, were people under 21 allowed to attend? Even if they were, my parents never would have allowed me to go anywhere near such a "den of iniquity".Tough call Murray on the popularity and the name recognition between the two artists. I don't think there was anyone in the country, whether you loved their music or hated it that did not know who the Carpenters were in the mid seventies.
I has just turned 18 when I saw them the first time at the Rivera.No doubt! Anyone with a radio couldn't escape the Carpenters (not that we'd have wanted to!). I was merely speculating that Neil Sedaka might have been a bigger draw, among the typical middle-aged (and older) gamblers that frequented Las Vegas. The Carpenters, being the much "newer" act, had a lot of younger fans. I was a teenager in 1975 (as I know many of us were), and the Las Vegas of the 1970s wasn't known for being a "family friendly" place. With concerts held in casinos, and complimentary alcoholic beverages served to patrons during the show, were people under 21 allowed to attend? Even if they were, my parents never would have allowed me to go anywhere near such a "den of iniquity".
Carpenters said:It often happens in our business, not only with the Carpenters, but also with other headliners, that the choice or the opening act proves to be unsuitable for personal, or other reasons. Under those circumstances, the headliner has no option but to terminate the engagement of the opener. This was the situation with Neil. ...It was a result of other circumstances of which he is totally aware that made it necessary for us to terminate his engagement.
Is it me or did the entire tone of the interview change when he mentioned about the firing. I adore his work, but I hope they would have patched things up by now or at least let it go. Everyone was young and under pressure.
Chris, I would love to get your more detailed take on this situation, whenever you are able to provide it. It bothered me at the time, because I feared that this incident would take its toll on the Carpenters' already over-scrutinized image. It seemed to turn into a real "schadenfreude" turning point for them.To be completely transparent Jim, we don't get into the story in this book. However, once the book is out and people have had some time to read it, I think I can provide a bit of clarity—off the record—which will make a whole lot more sense now to fans about what was actually going on during that time.
For now, it's safe to say that Neil was fired for breaking industry etiquette as an opening act, which had nothing to do with his receiving a standing ovation.