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Kristy McNichol "Hold On" (from 1982 "The Pirate Movie" soundtrack): Matt Clark Sanford, MI
I've got this song on repeat...
Not usually a big fan, but I heard this on the radio the other day and liked it. Hadn't really picked on the country influence until seeing the video though.
This video has a song to go with it? Didn't notice.
I personally don't think that Linda Ronstadt's voice is that great, but she has had a lot of iconic hits. The 70s and early 80s wouldn't have been the same without her. I do have a couple of her compilations and five or six of her studio albums on CD, so she must have a certain amount of appeal for me, despite my misgivings. I collected three of her singles as a teen - 'Blue Bayou', 'Alison' and 'Mister Sandman', (with Emmy-Lou Harris and Dolly Parton). My favourite track by her would be Elvis Costello's 'Alison'. Albums that I have listened to the most would be 'Heart Like a Wheel' and 'Simple Dreams'. I'm impressed by Andrew Gold's contribution to 'Heart Like a Wheel'.
Was it about her voice that you don't like?
Love Linda Ronstadt's voice. So many iconic hit songs, from her "Stone Poneys" days, through the decades. As with all of us at some point, her age has gotten to her, with Parkinson's. Read a while ago that she "cannot sing a single note" anymore .
I never viewed her voice as unique as Karen's is, nor ultimately an intimate. But what a set of pipes. Amazing range and can belt with the best of them, then quiet down with a soft falsetto (ignoring the controversy of whether women indeed have a "falsetto"; I claim they do ).
Like Karen, Linda's voice has an innate combination of great warmth and a melancholy/yearning, though never as deeply mournful as Karen's because of her higher vocal range. Karen had the capability to belt like Linda but their toned down sound and Richard's arrangements called for Karen to reign it in, which resulted in her calm, restrained signature style (listen to her in the 1966 choir and tell me Karen couldn't belt with power - God, just imagine if she could do that at 16, then think about how rich it would be in her 20s). As Karen herself said, she's an "easy going singer" but she had other dimensions that went underused.
I often think that Linda's standard trilogy with Nelson Riddle could have been something much like Karen would do and sound similar too, of course with a lower range. A combination of powerful vocals and soft, wistful tones swirling around lush instrumentals - it could have been an amazing way for Karen to demonstrate her vocal range and show that she was capable of much more.
Yes, Karen could, and did, belt - although it seems Karen made the decision to tone down her belting, as she felt it was often "over-singing" (her words, if memory serves).
Yes I can hear the 1980's filled with Karen duets, perhaps. Ahh, the what-might-have-been's.
We saw Linda live at Universal Amphitheater when she was touring to promote What's New. She was incredible.
Top Of The World, covered by Daniel O'Donnell and Mary Duff: