Holidays! THE OFFICIAL REVIEW: [Album] "CHRISTMAS PORTRAIT" SP-4726

I always thought Richard was way too modest to state "Christmas Portrait" is Karen's album. Right from the beginning we know that is not the case. While he may not have been involved in some aspects as much as he had been involved in other albums, it's still a Carpenters album through and through.

 

A question for those who may have variant releases of the Vinyl Single:
......Christmas Song.....
In listening to the 45-Single on the "Memories" AM-8620 Time-stamp 3:39,
it seems as if there are more prominent mixing of the Strings herein.
Any one else hear any differences ? (i.e., from the LP, or other Vinyl.)
Also,the recording is copyrighted 1977, thus, I wonder if this was not one of the tunes
recorded for the 1977 Carpenters At Christmas Television Special.
If so, were any changes made to the recording for placement on the release of 1978 Christmas Portrait LP ?

 

Of Course,
only Richard Carpenter is able to ascertain how much he did, or did not ,
contribute to Christmas Portrait--in 1978.
Richard Carpenter: "Arranging .. was turned over, by me, to veterans Peter Knight and Billy May."
However, one ascertains from the Credits as delineated on that original 1978 Album
that only Two Offerings, O Come,O Come Immanuel and Merry Christmas Darling,
had (the imprint of ) both Richard's arrangement and orchestration.
(And, of course, Merry Christmas Darling had an arrangement completed long before. Produced--according to the album jacket--- by Jack Daugherty.)
Peter Knight credited with Ten of the album's songs.
Billy May accounted for Five of the Songs.
There are 17 distinct Tracks on the original album.
One begins to understand Why ?
Richard Carpenter would make that statement: "... Christmas Portrait is Karen's album..."

 

Thanks, Harry, for the elaboration on the aforementioned
A &M Memories Single.
Makes a lot more sense to my ears !

 

While Karen is not heard at all on "Carol Of The Bells", "Silver Bells", and only a line or so on "Santa Clause Is Coming To Town". I also think Richard is too easy to dismiss his production work, as if that is not relevant to stamp the album as a family project. I'm certainly not willing to call this Karen's first solo album.

 

Never sure, but is there a little bit of Richard in First SnowFall "folks put runners on their surries, and forget about their worries". Could be a Richard or 2 amidst the Karens.

And yeah, from what I understand Richard selected every piece, where they'd be placed, and how they'd segue together. Not to mention his OCD in the production/mixing process, even in the throws of his addiction.

Even with the sparcity of his arrangements, he was still the mucical director of the project and as such I always feel this to be very much a CARPENTERS product, plural.

I realize this has gone a long way from "favourite bits of songs", but I always think Richard put himself down too much on this album. Maybe he thought, in hindsight, that if this album had been deemed a KC solo, she wouldn't have felt the need to make her NY album and perhaps used '79 for the therapy she put off until '82.

All just thoughts,

Neil

 

Fantastic 1978 KIQQ Christmas Portrait interview,
Karen Carpenter:
"I enjoy doing this type of music--Christmas music--all year around.
I could do it anytime day or night, any time of the year."
Merry Christmas Darling: "It's a beautiful song. I think it's my favorite,
because it's really close to me."

At the end of the interview, in reference to Ave Maria,
it seems as if Karen is saying they "cut" both versions.
(Part 6, 5:27, "We had them both cut.")
Then, she seems a bit ambiguous about it. ("We didn't have more time."
Does anyone know if the 'other' version actually has Karen's vocals tracked ?

 

More from the Carpenter Webpage:
"...Richard finally opted to do as far as his part in...
“Christmas Portrait”,
was to select the material,
sequence the tunes in advance,
hire two world-class arrangers who worked in the traditional mold, Peter Knight and Billy May,
and just produce the sessions..."

 

My take on this is that they cut both the Bach/Gounod and the Shubert versions but didn't have time to cut the "other one" meaning the
Caccini version, which is far less known. I would love to hear the Shubert and wonder why it wasn't included on the Old Fashion Christmas album.

 

I don't think that's right, Richard has never referred to the Caccini version, only to the Schubert version in interviews. This is what leads many fans to think they actually recorded the two and opted for the Bach/Gounod version for the album.

 

I'm pretty sure you can hear Richard singing backing vocals on "Silent Night" and "Silver Bells".

 

Eyewire, I just got my own copy of the West German CD from EBay last year. It's too bad that, even though the brand of mastering tape the used in 78 has fallen apart (I wonder if they were using AMPEX tape, since I know that 3/4-inch U-Matic AMPEX tape is a very difficult tape to play nowadays due to the binder having dried out, and causing the magnetic particles to just shred and fall right off the plastic backing, and causing constant head clogs) Richard wasn't able to or didn't have a copy of the West German CD to make digital copy of.

 

I was just looking at my copies of both Christmas Portrait and Old-Fashioned Christmas, and another thing that I love about both albums, and something which sort of gets tossed to the side by most people when talking about music albums, is the cover art. With Portrait you have Santa painting a portrait of both Richard and Karen, and then on Old-Fashioned you have Santa and his team of elves (who apparently include a former Mousekeeter), hanging the painting--even though the painting has been changed from portrait to landscape, and has been redone to feature the 1980's Richard and Karen. It's too bad that in 1996 when the Christmas Collection was coming out another cover featuring Santa wasn't commissioned, or even had Old-Fashioned Christmas' cover reused, just like Portrait's cover had been reused for the SE CD.

 

Watching the 1977 Christmas special on youtube, it struck me that many of the arrangements and vocal takes seem identical to those on Christmas Portrait (and then even O Holy Night which later appeared on OFC). Anyone know if all this was re-recorded?

 

Like this?

 

Interesting picture and it would've looked a lot better on Christmas Collection.

 

I do not know who the artist who drew Karen and Richard and would certainly have given credit to the wonderful artist whose work I used to make this cover. I found the image when doing a search. I am not sure it it is Chris Tassins' work or not. If anyone knows the artist, please let us all know whose talents are represented. Thanks

 

The only thing that picture is missing is the Carpenters logo, but otherwise it would've gone a lot better than that digitally blurred photo that's on the CC CD. The CC cover always looked like it was rushed and not much effort was put into it. And it was also a reuse of the photo for the Time-Life Christmas With The Carpenters CD (and would be reused for the ICON release).

 

You know that the Carpenters Christmas music really stands out when it gets used to close out probably one of the Top 3 well known Christmas parades in North America. I just found an old VHS recording of the 2003 Toronto Santa Claus parade (that also has the 2002 TSCP) and on both parades for the end credits music you can hear Karen and Richard singing on "Have Yourself A Merry Little Christmas", and it's the 1977 mix, so Global TV was probably using the Christmas Portrait SE CD as the source.

 

I just realized that this past week we passed the 37th anniversary of the release of Christmas Portrait. October 13, 1978.

 

Were "Little Girl Blue" and "When I Fall in Love" recorded in conjunction with the Christmas recordings? I'm pretty sure they were, but not totally sure. I know that Peter Knight also arranged LGB and it does have that kind of orchestral, lush Christmasy feel to it as well.

 

Boom. Thank you, Chris. So pleased to have that confirmed.