Indeed! I found myself listening to the other Mizell Brothers albums by Donald Byrd yesterday (not yet reissued on vinyl) and the more I listen, the more I'm hearing similarities to the soul/R&B/funk of the early to mid 70s. I know that purists bristle at the thought of Byrd straying away from jazz but in a sense, Byrd was a bridge between jazz and that world of soul and funk, and even prior to that he had taken a few steps towards making jazz more accessible. Miles similarly drifted into other styles, but his approach was more "out there" and not accessible. (There are a few similarities, but more differences, between Miles' On The Corner and Black Byrd, for instance.)Reminds me of some Isaac Hayes from that era. It was so good!
Even with other artists, the Mizells had the same touch. I have another Bobbi Humphrey record (Blacks and Blues) that features their work, along with the recent Johnny Hammond Gears that I finally located in the Jazz Dispensary Top Shelf reissue series. I was hoping to get Black Byrd but not until it's properly reissued.
Larry Mizell appears to be the more jazz-leaning side of the two brothers, and Fonce (Alfonso) of course was part of the Motown songwriting/production group The Corporation that scored #1 hits with the Jackson 5.
Hot Buttered Soul may get a spin this evening...