Todd Rundgren's much anticipated solo tour hit town last night, which was a treat for fans, this being his first local stop. A show scheduled 30 years ago was cancelled, so most of us had never seen him live.
With just himself, his guitar and piano, this was an informal production. Its unrehersed nature has brought some criticism from reviewers, which a ragged and uneven version of "Hello It's Me" justified. Plus, his audience is divided between those who prefer the solo material over the heavy metal Utopia stuff - and vice versa, which would make any choice of material controversial.
He used a prefabricated sound/drum machine during a set of Bossa Nova versions of some his classics, but those arrangements for me were the height of the show. I found myself wishing he'd add some Jobim covers and do an entire concert in a Latin setting.
Here's the setlist:
Love of the Common Man/ Cliche/ Won't Go to War No More/ I Don't Want to Tie You Down/ Hammer in my Heart/ Viiking Song/ It Wouldn't Have made any Difference/ excerpt from a Shakespere play score he wrote/ Compassion/ Hello It's Me/ Bang the Drum All Day/ Tiny Needles inside Me/ You've Got to hide your love Away/ Love in Action.
Bossa Nova set: I Saw the Light/ Influenza/ Can we still be Friends?/ I Want You (all from the WITH A TWIST album)
One World/ The Wheel of Karma/ Dream Goes on Forever.
Rundgren is a veteran producer/performer/songwriter who is also a pioneer in studio experiments. While best known for his string of '70s albums, such as WIZARD A TRUE STAR and SOMETHING-ANYTHING, he also produced Meatloaf's classic BAT OUT OF HELL album and occasionally has performed in Hall & Oates backup band. His recent technological ventures include an interactive album which allows listeners to remix his compositions to fit their tastes (which is way beyond my understanding).
Should Rundgren's tour venture near you, this would be a worthwhile event to take in.
JB
With just himself, his guitar and piano, this was an informal production. Its unrehersed nature has brought some criticism from reviewers, which a ragged and uneven version of "Hello It's Me" justified. Plus, his audience is divided between those who prefer the solo material over the heavy metal Utopia stuff - and vice versa, which would make any choice of material controversial.
He used a prefabricated sound/drum machine during a set of Bossa Nova versions of some his classics, but those arrangements for me were the height of the show. I found myself wishing he'd add some Jobim covers and do an entire concert in a Latin setting.
Here's the setlist:
Love of the Common Man/ Cliche/ Won't Go to War No More/ I Don't Want to Tie You Down/ Hammer in my Heart/ Viiking Song/ It Wouldn't Have made any Difference/ excerpt from a Shakespere play score he wrote/ Compassion/ Hello It's Me/ Bang the Drum All Day/ Tiny Needles inside Me/ You've Got to hide your love Away/ Love in Action.
Bossa Nova set: I Saw the Light/ Influenza/ Can we still be Friends?/ I Want You (all from the WITH A TWIST album)
One World/ The Wheel of Karma/ Dream Goes on Forever.
Rundgren is a veteran producer/performer/songwriter who is also a pioneer in studio experiments. While best known for his string of '70s albums, such as WIZARD A TRUE STAR and SOMETHING-ANYTHING, he also produced Meatloaf's classic BAT OUT OF HELL album and occasionally has performed in Hall & Oates backup band. His recent technological ventures include an interactive album which allows listeners to remix his compositions to fit their tastes (which is way beyond my understanding).
Should Rundgren's tour venture near you, this would be a worthwhile event to take in.
JB