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Another thing about the mono 45 of that single (Warner Bros. 7163, 1968) is that it's sped up about 2 or so percent in pitch from the stereo. I should know; I have both the single and the stereo version as on their Greatest Hits compilation album (Warner Bros.-Seven Arts WS 1767, 1968).daveK said:I really want the mono version of "Everything That Touches You" by The Association but so far, it's only available on that really expensive Japanese import of "Birthday".
There may have been a few instances of that happening with different records. I know one such case being Pacific Gas & Electric's "Are You Ready" (Columbia 4-45158, 1970).Rudy said:I thought I'd heard of a record label once putting a shorter time on the label of the single, so it would be more attractive to radio programmers. Can't recall which single it was, though...
Indeed, indeed ("A-" was the plug side). And "CT" was the shorthand used for Columbia's Terre Haute, Ind. pressing plant (if for Pitman, N.J. it was "CP," and for Santa Maria, Calif., "CS").Chris-An Ordinary Fool said:RSO White Label Promo 45
I Can't Help It-duet Olivia Newton-John/Andy Gibb 1980
The mono 45 side clocks in at 3:46 there is about 20 sec that is cut off comparing it to the original LP version. It is cut from the end of the song. The mono side is labled 3:33 with intro of :13 this equals 3:46. It sounded really strange to me hearing it like this, I was so use to the LP version. The mono side also sounded a lot more up front vocally especially Olivia's, so much so that I had to turn the volume down just a tad coming from listening to the stereo side.
The stereo 45 side clocks in at 4:07. The label is marked, 3:54 w intro of :13 equals 4:07. This is the same version as the LP.
The song was only available from Andy's album, "After Dark"
Mono-RS1026-AM CT-1 (I'm assuming the AM stands for mono?)
Stereo-RS1026-AS-CT-2 (I'm assuming the AS stands for stereo?)
Rudy said:I thought I'd heard of a record label once putting a shorter time on the label of the single, so it would be more attractive to radio programmers. Can't recall which single it was, though...