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most of these are basically someone else's songs, with a Karen-sounding voice overlaid, but it in no way sounds how she'd interpret it if were really her.
This one floored me. I've yet to see anyone accomplish a similar feat with Karen's voice.
For sure.That one really is outstanding.
It won’t be long before lots of messy, protracted lawsuits start against the creators of this material by the real artists. As far as I’m aware, there’s no copyright law currently in existence that defines who would receive the royalties - the creator of the material or the original artist? It’s going to be interesting…
I agree with all of this completely. We'll said.To each his own, I suppose, but I can't imagine myself wanting to listen to a fake Karen when the real thing has already been recorded and is easily obtainable...
I am painfully aware that Karen is no longer with us, but I don't need to hear someone else's attempt at a fake voice singing songs that the real Karen never sang.
And that goes for really anyone else too...
Ugh. These are abominable and people are littering the Carpenters Facebook pages with them.
AI is out of control. There are a bunch of "new" Cher song's. Not long before they get it right on Karen.
The technology is fascinating, but is still not quite there yet.
Don't think that will ever happen - there was something very unique and special about her tonal qualities that may be beyond artificial duplication - or so I hope.AI is out of control. There are a bunch of "new" Cher song's. Not long before they get it right on Karen.
The issue I have with the AIs is future generations won't know the difference. The first wave of the Carpenters fans, who grew up with them in the early 70's, are dwindling. At some point don't the copyrights become public domain? Bowie put some of his old vault stuff on the internet for one night to keep the copyrights. Some of his unreleased songs from 1974 (the holy grail of Bowie fans) are on the Internet Archive for free download.Don't think that will ever happen - there was something very unique and special about her tonal qualities that may be beyond artificial duplication - or so I hope.
But even if they do get it extremely close I won't be listening. As I said before, if she didn't record it in her all-to-brief lifetime I don't want to hear it.
One can only wish that such bastardized violations of personal autonomy are, or will be declared as, violations of copyright laws, or personal property, or something similar. Does one have the exclusive right to one's tonal qualities will singing?
AI is out of control. There are a bunch of "new" Cher song's. Not long before they get it right on Karen.