Jack A.
Well-Known Member
To my knowledge, this hasn't been a topic yet on this forum.
For me I'm going to go with the brass ornaments in the chorus of "Superstar" - to me, that's a quintessential, signature Richard Carpenter hook. It stands out, but at the same time, also blends pretty well with the rest of the arrangement. It also complements the power of Karen's lead. Tony Peluso's guitar fills between the two sections of Solitaire's chorus are a close second.
Overdubbed harmonies don't count (But I agree, those are the best type of hook the C's used ).
For me I'm going to go with the brass ornaments in the chorus of "Superstar" - to me, that's a quintessential, signature Richard Carpenter hook. It stands out, but at the same time, also blends pretty well with the rest of the arrangement. It also complements the power of Karen's lead. Tony Peluso's guitar fills between the two sections of Solitaire's chorus are a close second.
Overdubbed harmonies don't count (But I agree, those are the best type of hook the C's used ).