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Karen Carpenter Solo Sessions - Continued

The best producer of the 70’s and early 80’s, Richard Perry. He did an amazing job with great vocalists like Harry Nilsson, and Linda Ronstadt. Plus helped maintain or further the music careers of Manhattan Transfer, Rod Stewart, Barbra Streisand, Art Garfunkel, and Carly Simon. He was a true pop genius. He got the best vocals and mixes out of those artists. He totally revived the Pointer Sisters career. I wonder why she didn’t seek him out too?
Jay Graydon did the Manhattan Transfer’s biggest records. He’d have been a great choice too. I also like Phil as a choice, honestly.

Ed
 
So in your own opinion at playback do you think Herb generally liked the album but that it just didn’t have any hit material to make it OR do you think he was disappointed at what Phil produced? While the record company knew Phil, they didn’t really know what kind of material he was going to produce for the album right?
 
So in your own opinion at playback do you think Herb generally liked the album but that it just didn’t have any hit material to make it OR do you think he was disappointed at what Phil produced? While the record company knew Phil, they didn’t really know what kind of material he was going to produce for the album right?

What has always confused me is why the label didn't put a stop to things sooner if they weren't happy. Karen was playing these tracks to all sorts of people every time she came back from New York for a break. Agnes heard one track and disapproved of its lyrics, so you can bet Richard heard that song as well and likely others. She also played them to Olivia Newton John - with Richard present - and several of her other friends and music associates.
 
Well, as I've said many times, none of us were at that playback, so it's impossible to know, other than what's been relayed by those who were there. At this point, now, we're dealing with ghosts. Karen's gone, Phil's gone, Jerry Moss is gone. Herb and Richard are all that's left and it all took place 44 years ago. I was probably in a meeting 44 years ago, but I couldn't begin to tell you what went on in it!

Yes, with certain albums, I can recall the moment I first heard them, but with the passage of time, real details fade away. I've relayed the story of listening to the solo album for the first time outside of the Sam Goody store in my car. I remember being disappointed in the few tracks that I hadn't heard already before, and that I listened a couple of times that day. And this all took place 28 years ago, but it was momentous in that it had been anticipated for so long. That's why I still have a memory attached to it.

Since Richard has been hounded all of his life, I suspect he's reflected on it a number of times over the years, and that's somewhat sad in his case. Herb is approaching 90 now and who could say what he remembers?
 
That's the big question isn't it? Will the music that we love and cherish survive to future generations? Some will, some won't is the best answer I can give. Will anyone care if an album was delayed by 16 years? Will they even know what an "album" is?
 
Itchy and Phil actually met in 1977. I'm not sure exactly when they married. In Little Girl Blue she is described as Phil's girlfriend when she and Karen met early 79 when the solo sessions started. When Karen returned to New York for the Levenkron therapy in early 82 Randy L. Schmidt wrote Itchy, now married to Phil.
 
Itchy and Phil actually met in 1977. I'm not sure exactly when they married. In Little Girl Blue she is described as Phil's girlfriend when she and Karen met early 79 when the solo sessions started. When Karen returned to New York for the Levenkron therapy in early 82 Randy L. Schmidt wrote Itchy, now married to Phil.
Fair enough. Itchy's wikipedia said they married in '77, so I just went with it. Funny, I had it in my head that Itchy and Karen were friends a lot longer than that.
 
Fair enough. Itchy's wikipedia said they married in '77, so I just went with it. Funny, I had it in my head that Itchy and Karen were friends a lot longer than that.

No, I don't believe Karen met Itchy until 1979, once she was onto the solo project. She barely knew Phil before that either, hence the intrepid call(s) to NYC from LA to sound him out about producing her album before she moved out there on May 1, 1979.
 
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If the powers that be, which I guess is still Richard, wanted to do something to extended the life of his and Karen's legacy, I suggest that there be an album of material using Karen and Richard's vocals with newly arranged and recorded backing tracks. If Richard didn't want to do it all himself, he could hand select a producer, arranger, and musicians to oversee and collaborate with. I wouldn't select too many of the obvious hits, but delve into the album cuts and Karen's solo LP. A timeless voice stays timeless. It would be great if Richard did this before too much time passes...
 
If the powers that be, which I guess is still Richard, wanted to do something to extended the life of his and Karen's legacy, I suggest that there be an album of material using Karen and Richard's vocals with newly arranged and recorded backing tracks. If Richard didn't want to do it all himself, he could hand select a producer, arranger, and musicians to oversee and collaborate with.

That will never happen in his lifetime. In his view, he's done his job of preservation. Perfectionists don't give up editiorial control after 50 years. He could have collaborated years ago to broaden their appeal by bringing in outsiders to revitalise their music. I'm even sure it's all as tightly locked down in his will as if he were still here.
 
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That will never happen in his lifetime. In his view, he's done his job of preservation. Perfectionists don't give up editiorial control after 50 years. He could have collaborated years ago to broaden their appeal by bringing in outsiders to revitalise their music. I'm even sure it's all as tightly locked down in his will as if he were still here.

It would be sad and a big loss if the legacy doesn't get cultivated in some way.
 
That will never happen in his lifetime. In his view, he's done his job of preservation. Perfectionists don't give up editiorial control after 50 years. He could have collaborated years ago to broaden their appeal by bringing in outsiders to revitalise their music. I'm even sure it's all as tightly locked down in his will as if he were still here.
Totally agree. Richard has done a fine job in keeping the legacy alive without over saturating the market. Someone a while back showed a photo of all that he has released since Karen passed away and it’s a true gift for the fans.

I’m so looking forward to Christmas redux this fall, CD and DVD combo, maybe we will get a preview of something…Christmas in July??

What I really wish for is that Karen’s solo album would get remastered by Richard for a re-release. I’m not saying change anything but add more clarity and bring the vocals up, he’s so good at this stuff. What a great opportunity for him to add 1 or 2 bonus tracks he could complete like he mentioned in Mook. Maybe issue it in Japan as well with an exclusive bonus track so that we all buy the album twice. We like doing that…willingly. :laugh:

In reality I know he won’t touch it but would be a real treat for the fans. I guess it would depend on who owns her music for a re-release. Does A&M own rights or Phil or Richard or maybe it’s a combination of all?
 
What has always confused me is why the label didn't put a stop to things sooner if they weren't happy. Karen was playing these tracks to all sorts of people every time she came back from New York for a break. Agnes heard one track and disapproved of its lyrics, so you can bet Richard heard that song as well and likely others. She also played them to Olivia Newton John - with Richard present - and several of her other friends and music associates.
I agree. There's an element to this story that we don't know.
 
Thankfully, we now have the ability to 'up mix' and pull the individual 'stems' from stereo and even MONO tracks to create brand new mixes! The Beatles 'Now and Then' is a prime example. Capitol/EMI was able to take John's demo from 1979 and isolate it from a lousy boombox recorded cassette tape with vibrating piano, TV sounds and background noise to create a 'new' separate vocal. And it's all HIM. No additional AI or anything else added. The same technology can be used on Carpenters or Karen solo material. So, in our current world of technological advancement, many things are possible that weren't until very recently.

Granted, the MASTERS are the best choice, but not the only choice. : ) And we can thank filmmaker Peter Jackson for this new invention, which is just getting ramped up.
 
@Chris May does Ume own the rights to Karen’s solo album? Do they decide, I’ll seriously send an email if it is.

Hey they could remaster it and re-release in 2026 and market as her 30th yr anniversary of her solo album being released with special hologram embossed sticker that changes photo as you tilt it. Remastered from original master tapes like you’ve never heard before. Complete with additional photos taken from her sessions, never released officially before inside CD or LP.

Am I taking this too far? :laugh:
Guess I just lost my head
 
Get ready @Chris for that animated gif of Karen from her solo poster in your old video and how you made her blink her eyes. Ume may use this for the exclusive promo sticker (tilt and she flashes her eyes at you) wow!! I can see it now. Remember it was your idea first!! :laugh::laugh::laugh:
 
Thankfully, we now have the ability to 'up mix' and pull the individual 'stems' from stereo and even MONO tracks to create brand new mixes! The Beatles 'Now and Then' is a prime example. Capitol/EMI was able to take John's demo from 1979 and isolate it from a lousy boombox recorded cassette tape with vibrating piano, TV sounds and background noise to create a 'new' separate vocal. And it's all HIM. No additional AI or anything else added. The same technology can be used on Carpenters or Karen solo material. So, in our current world of technological advancement, many things are possible that weren't until very recently.

Granted, the MASTERS are the best choice, but not the only choice. : ) And we can thank filmmaker Peter Jackson for this new invention, which is just getting ramped up.
For the record, Peter Jackson did not invent the technology that can separate parts of a song's mix. He may have tweaked it certain ways for his own use, but that technology was around for years before Peter Jackson made use of it on the Beatles project. There are literally dozens of websites and companies that do this.

If you or anyone want to try the technology out with one of your favorite songs, you can go here for free. Go to the option "Instrument Separation", sign in with your Google account, upload your song, and follow the instructions. Their results are quite good.

 
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Not sure if this was previously posted.
July 9, 1983
It always seemed like from interviews that Phil was always so direct and here he speaks about Karen’s solo album.

He says that Stephanie Mills with Polygram and Karen Carpenter with A&M had similar fates with their solo album never being released.
It’s hard to say which he is referring to with his theory.

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