ullalume
Well-Known Member
Hey there,
Just come across this site, so thought I'd post a few thoughts.
Maybe it's just me, or perhaps the human condition itself, or maybe it's because I was only 5 in 1983, but I attach more significance to the later recordings. It may be rose-tinted specs and bias, but Made In America is one of my favourite albums, and to me, the album they were working on could well have been their most commercial and creative success since HORIZON.
First off, we've got NOW, YOU'RE BABY..., AT THE END... and YOU'RE ENOUGH. I love 'em all, but they're not really single material. However, a few weeks after Karen died, they had booked an A&M recording studio, and if I'm not mistaken, Richard and John Bettis had written IN LOVE ALONE and I'M STILL NOT OVER YOU during her time in New York.
To me these two songs are, respectively, reminiscent of HURTING EACH OTHER and GOODBYE TO LOVE. I feel the first would have gone top 5, and the latter top 10. Disco was dead by '83 and real music could come back (don't get me wrong I love a good disco tune.)
So there's 6 great tracks, 2 of them possible hit singles, and that's only half of what they'd have done. A few weeks later they'd have laid god knows how many more. They might even have included KISS ME THE WAY... which could easily have got chart action.
There's not really a point to all this, just to pour out some thoughts I suppose. Biased though I am, I never felt there was any dip in the overall creative output of the Carpenters ( with the exception of A KIND OF HUSH album). Maybe not so much strong single potential, but art wise, the material never waned........What a loss that we didn't get that final Autumn '83 album, her vocals richer and more mature than ever, and his arranging and production more sosphisticated.
Let me know your thoughts, guys.
Just come across this site, so thought I'd post a few thoughts.
Maybe it's just me, or perhaps the human condition itself, or maybe it's because I was only 5 in 1983, but I attach more significance to the later recordings. It may be rose-tinted specs and bias, but Made In America is one of my favourite albums, and to me, the album they were working on could well have been their most commercial and creative success since HORIZON.
First off, we've got NOW, YOU'RE BABY..., AT THE END... and YOU'RE ENOUGH. I love 'em all, but they're not really single material. However, a few weeks after Karen died, they had booked an A&M recording studio, and if I'm not mistaken, Richard and John Bettis had written IN LOVE ALONE and I'M STILL NOT OVER YOU during her time in New York.
To me these two songs are, respectively, reminiscent of HURTING EACH OTHER and GOODBYE TO LOVE. I feel the first would have gone top 5, and the latter top 10. Disco was dead by '83 and real music could come back (don't get me wrong I love a good disco tune.)
So there's 6 great tracks, 2 of them possible hit singles, and that's only half of what they'd have done. A few weeks later they'd have laid god knows how many more. They might even have included KISS ME THE WAY... which could easily have got chart action.
There's not really a point to all this, just to pour out some thoughts I suppose. Biased though I am, I never felt there was any dip in the overall creative output of the Carpenters ( with the exception of A KIND OF HUSH album). Maybe not so much strong single potential, but art wise, the material never waned........What a loss that we didn't get that final Autumn '83 album, her vocals richer and more mature than ever, and his arranging and production more sosphisticated.
Let me know your thoughts, guys.