Captaindave
Well-Known Member
Numero Cinco said:Chinese Sausage said:I'm gonna try (again) and get the album today. … Wish me luck!
Good luck, Mr. Sausage. :bigsanta:
I love Herb Alpert and the Brass. And I am a bona fide sucker for Christmas music. All that is why I wish I enjoyed this album more than I can make myself. Here are some reasons for my discontent.
1. Oil and water don't mix; neither does The Brass and this seasonal genre. This, for me, is the weakest of my own reasons, the easiest for me to dispute. On its face, Stan Kenton's Big Band would seem to have almost nothing in common with Christmas music; yet his own Christmas album boasts (to my taste) some incredible charts that are unmistakably Kenton. It's not that Herb's album is any the less distinctive: This album is his sound, all right. What I miss, however—on most of its tracks—is fresh insight into familiar melodies.
2. Missed opportunities among song selections. Here I'm not faulting Herb's opting for secular rather than sacred songs. The latter would likely have been even more ill-fitting to The Brass's treatment. (And yet I think "Jesu, Joy of Man's Desiring" is tastefully done—if only the lead performer's lip had been in better shape at that point.) No, I'm thinking of songs like "Silver Bells," "White Christmas," "I'll Be Home for Christmas," and "Have Yourself a Merry Little Christmas"—any of which could have been beautifully transposed into the Alpert sensibility, none of which appear here. With only ten tracks, the original LP could surely have accommodated one or more of them, minus some novelties that made the cut.
3. Arrangements that don't quite gel. The Shorty Rogers intros and accompaniments, with the PAMS jinglers (thanks, Tony!), are quietly harmonic and often inventive (with cute quotations from songs mercifully unperformed, like "The Twelve Days of Christmas" and "Christmas Bells"). Yet those intros seem to me often detached from what they are introducing.
4. Arrangements that misfire, like "Sleigh Ride." Usually, I stand in jaw-dropping awe at Mr. A.'s arrangements of standards. With "Sleigh Ride," especially that "vaudeville cake-walk" section after the drum-roll, I can't figure out what the hell he was trying to do.
5. Concepts we've heard before, with other tracks on other albums: I enjoy "Jingle Bell Rock," a perfect TJB adaptation, but, with "Mame" and "Freckles," I feel like I've heard it before. Herb's "sprung" rhythm for the 3/4-time "My Favorite Things" sounds to my ear repetitive of his similar trick with the 9/8 "A-Mer-I-Ca," which we may never hear on CD if Herb doesn't put his signature on Volume 2. Come to think of it: His clever lead-in to that Bernstein stage-song was "Jingle Bells"!
My wife and I jokingly refer to the closing bars of Herb's "Favorite Things" as "A James Bond Christmas," since the repetitive chord structure of the backing strings mirrors that of the famous theme by Monty Norman (or John Barry; take your choice).
Am I happy to have this CD back in print, remastered at its slightly faster tempo? You bet. The original cover and lettering are a joy to behold, and this time we were spared Mr. What's-His-Name for more intelligent liner notes.
Do I regret having bought my usual threefer of this reissue? Not at all.
Will I still play this at Christmas? Of course. Like all albums I grew up hearing, especially at Christmas, it's part of my life's soundtrack.
Do I think it's Herb at his finest? Not a chance.
Did I vote for a favorite track? Yep: "Las Mañanitas." It's not especially seasonal. It's a lovely melody, beautifully arranged TJB, harking back to the pure sound of South of the Border.
Generally speaking, I agree with you on all the above...except that I'm not all that into Christmas music in general...a little goes a long way with me - for some reason, I get bored with it pretty quickly. I'd probably listen to this album more than other Christmas music simply because it is, in fact, TJB.
Overall, I like the album, but after a little listening, I find myself heading on back to the other TJB albums - from Lonely Bull on to BOTB. Even at Christmas.
I guess the main attraction for me is similar to your comment about the album being a part of the soundtrack of life from the period - it's a "period piece" that needs to be in the collection of any serious fan of Herb Alpert and the TJB music.
In a similar way, I'll be looking forward to the release of WARM (assuming it does get released). I don't like the sound of the trumpet on WARM, but, for me, it is the album that basically closes out the decade of the sixties (although TBAC might be the nominee for "decade closer" instead). It will be a part of any complete collection.