"The Singles, 1969-1981" [SACD]
Catalogue Number: B0002996-36
Date of Release: 1/11/05
Medium: SACD Hybrid/Multi-layer
5.1 Surround + 2-channel
Track Listing:Catalogue Number: B0002996-36
Date of Release: 1/11/05
Medium: SACD Hybrid/Multi-layer
5.1 Surround + 2-channel
1.) Yesterday Once More 3:57
2.) We've Only Just Begun 3:04
3.) Superstar 3:46
4.) Rainy Days And Mondays 3:35
5.) Goodbye To Love 3:56
6.) I Believe You 3:55
7.) It's Going To Take Some Time 2:59
8.) This Masquerade 4:53
9.) Ticket To Ride 4:09
10.) Top Of The World 2:58
11.) Only Yesterday 3:47
12.) Hurting Each Other 2:48
13.) Please Mr. Postman 2:47
14.) Merry Christmas, Darling 3:05
15.) Sing 3:18
16.) Bless The Beasts and Children 3:15
17.) I Won't Last A Day Without You 4:29
18.) Touch Me When We're Dancing 3:19
19.) For All We Know 2:33
20.) (They Long To Be) Close To You 3:41
21.) Calling Occupants Of Interplanetary Craft 7:09
Produced for SACD by Richard Carpenter
Surround Sound mix by Al Schmitt and Richard Carpenter at Capitol Studios, Hollywood, CA
Assisted by Steve Genewick and Bill Smith
Pro Tools Editing: Bill Smith at Sky's the Limit Studios, Studio City, CA
Mastering by Bernie Grundman at Bernie Grundman Mastering, Hollywood, CA
Digital Editing: Stewart Whitmore at Marcussen Mastering, Hollywood, CA
Stereo Fold-down Mixes: Richard Carpenter and Bernie Grundman at Bernie Grundman Studios, Hollywood, CA
SACD Authoring: Lon Neumann
Art Direction: Vartan
Design for SACD Reissue: Artministry, Inc.
Production Manager: Shannon Steckloff
Front cover photo by and courtesy of Annie Leibovitz and Richard Carpenter archive.
Back cover photo courtesy of Richard Carpenter archive.
Inlay Cloud Photo by Fred Valentine for Silver Lining Untld.
Supervised for SACD by Paul Bishow and Michel Etchart
Project Director: Mike Ragogna
© 2004 A&M Records
"If 5.1 is used to its full potential, rather than just using the back channels for ambience, it can open up the recording from stereo in a way that stereo opens it up from mono. Glad to see attention being paid to "I Believe You", as I feel it is one of our stronger tracks and a perfect vehicle for Karen." -Richard Carpenter, January 2005
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