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This Harriet person sounds lovely. But I am wondering why her efforts to replicate Karen Carpenter music isnt copyright infringement? I am not in the music business, so i dont know the rules. But even as good as she sounds, its offensive to me.
There's long been an obsession to find the next Karen. There simply isn't another one. I suppose some fans find comfort and some get some sort of closure hearing what could have been. I'm one of those fans that would rather play a dvd or watch a terrible quality vhs than listen to someone try to imitate. To each their own.
Harriet who?
It’s much like the Carpenters remixes. Some can’t listen to the remixes and the originals are always there. Some love both the originals and the remixes and can listen to both no problem. Others don’t care for the originals and only like the remixes.Alongside Harriet and Toni Holub there's also Rumer. I know none of them are out and out impersonators, but personally I'm not into any of them and they just sound like they're imitating Karen. I'd much rather listen to the real thing.
It’s much like the Carpenters remixes. Some can’t listen to the remixes and the originals are always there. Some love both the originals and the remixes and can listen to both no problem. Others don’t care for the originals and only like the remixes.
(Insert artists above)
It's taken forever, but yeah, The Beatles. They're in the process of remixing every song.Can anyone think of any other artist that has had their back catalogue so extensively remixed, re-recorded and facelifted as Carpenters? Because I can't.
It's taken forever, but yeah, The Beatles. They're in the process of remixing every song.
Richard remixes and adds unnecessary "additional production." He's done it repeatedly with some songs. His additional touches are a curiosity worth listening to once maybe but I always go back to the originals. I don't even bother with the RPO stuff that much. The originals were fine as they were. I only deviate when Karen updated vocals on a few things. She was totally right to do that. It's the tinkering after she passed that I have zero interest in. So yeah, no one has done all of that more than Carpenters.Can anyone think of any other artist that has had their back catalogue so extensively remixed, re-recorded and facelifted as Carpenters? Because I can't.
I'm sorry, but I don't understand why Rumer keeps coming up as a Karen soundalike. She doesn't sound a single thing like her in my opinion. Not every alto is a Karen soundalike.Alongside Harriet and Toni Holub there's also Rumer. I know none of them are out and out impersonators, but personally I'm not into any of them and they just sound like they're imitating Karen. I'd much rather listen to the real thing.
T.Rex and Tony Visconti.Can anyone think of any other artist that has had their back catalogue so extensively remixed, re-recorded and facelifted as Carpenters? Because I can't.
I'm sorry, but I don't understand why Rumer keeps coming up as a Karen soundalike. She doesn't sound a single thing like her in my opinion. Not every alto is a Karen soundalike.
But I am wondering why her efforts to replicate Karen Carpenter music isnt copyright infringement?
She specifically sounds very similar to Karen on the line "Do you know how to calm me down?" I think it's her timbre on that line.She does sound quite reminiscent of Karen on her single 'Slow'. Many others including music reviewers have commented on it.
I think the main reason why there won't be a "next Karen," is because Karen Carpenter was not only extremely talented, but also a product of a particular era and a particular musical environment.I think the "obsession" you speak of is likely the domain of a very small number of people. For my part, I know there won't be a "next Karen" so I don't pay much attention to that kind of thing. Tori does have echoes of her but she's no spitting image. Harriet shows even more of her influence and has displayed eerie similarities at time IMHO. That said, we'll never find that "next Karen...and that's cool. I'm more than fine with the one we had.
Ed
That's a solid point. The time, place, and environment played a part on making her who she was and, thus, how she sounded. We're all products of all of those things and she's no different.I think the main reason why there won't be a "next Karen," is because Karen Carpenter was not only extremely talented, but also a product of a particular era and a particular musical environment.
That's true and accounts for a certain degree of her uniqueness - but the main reason that there will never be another Karen, that is, there will never be anyone who sounds exactly like her, is anatomical - just like with acoustic guitars or violins which all sound slightly different, human beings each have a uniquely structured voice box largely responsible for the tonal quality (timbre) of the sound generated. The "gods of music" clearly created a once-in-a-lifetime masterpiece when they got together and crafted her. Then they retired, figuring they could never duplicate that accomplishment. They were right. The only way we're going to get another Karen is if she is reincarnated and comes back to life and starts walking and singing among us. Don't hold your breath...I think the main reason why there won't be a "next Karen," is because Karen Carpenter was not only extremely talented, but also a product of a particular era and a particular musical environment.
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