1. A&M Corner can now be found on Instagram! Follow us on our new account at @a.m.corner .
    You may also follow us on Twitter: @amcorner.
  2. We have received word that UMe is aware of the problem with the Carpenters vinyl releases, both the box sets and the individual LPs, and has offered a solution. To receive a replacement, send a proof of purchase to UMGCustomerSupport@umusic.com. UMe prefers email, but those who prefer phone contact may call 1-800-288-5942 to speak to Customer Support.

Anyone read this?

Discussion in 'A Song For You: The Carpenters Forum' started by ullalume, Jan 21, 2014.

  1. newvillefan

    newvillefan Well-Known Member

    Thank you, that answers my question :)

    [​IMG]
     
    goodjeans and Carpe diem like this.
  2. tomswift2002

    tomswift2002 Well-Known Member

    While not an exact date, in the liner notes to From The Top and The Essential Collection for the Interview track, Richard notes that Karen did not possess a pair of drums until they were "well west of the Rockies" and were in Downey, California.
     
  3. Carpe diem

    Carpe diem Well-Known Member

    Are there any videos available of Karen actually playing this set? I wonder if this set is on display in the YOM warehouse.
     
  4. newvillefan

    newvillefan Well-Known Member

    I’m sure Richard said they were packed away at the warehouse. Who knows what that means; whether it’s the YOM warehouse and if so, whether they’re even on display.
     
  5. ars nova

    ars nova Active Member

    karen studied at drum city, perhaps they were acquired there.
     
  6. tomswift2002

    tomswift2002 Well-Known Member

    Wasn't that the set that Karen played for Strike Up The Band that we saw a clip of in the Close To You: Remembering The Carpenters documentary?
     
  7. Carpe diem

    Carpe diem Well-Known Member

    Cubby O'Brien is sitting behind a jelly bean set during Karen's appearance with Bruce Forsyth. Doesn't have the same color scheme as the above photo. These sets must have been fairly popular back then:

     
  8. newvillefan

    newvillefan Well-Known Member

    Karen’s original set was one of only three ever custom made. I doubt she would have taken it on the road for trips abroad. It was probably her pride and joy.
     
    Carpe diem likes this.
  9. Carpe diem

    Carpe diem Well-Known Member

    ^^ "Karen’s original set was one of only three ever custom made." Interesting...You wouldn't happen to know who owns the the other two? I am going to take a wild guess and say one of them has the initials H.B. :laugh:!
     
  10. ars nova

    ars nova Active Member

    hal blaine tells the story that karen approached him to have his drum kit duplicated for her. she wanted to be able to duplicate their studio sound while in concert. I believe he called the kit a vistalight. at the time, hal blaine and ringo starr were the only owners of the plexiglass kit.
     
  11. newvillefan

    newvillefan Well-Known Member

    One is Ringo Starr and the other is (correct!) Hal Blaine :)
     
  12. newvillefan

    newvillefan Well-Known Member

    I found this interesting article about Carpenters attorney Werner Wolfen and the Beach Boys which I wasn't previously aware of. It mentions a couple of companies associated with the Carpenters.

    CALIFORNIA | LOCAL
    Beach Boy Wilson Sues Law Firm Over 1969 Sales
    September 18, 1990
    Brian Wilson filed a $100-million lawsuit Monday in Los Angeles Superior Court against a law firm he alleges misrepresented him during the 1969 sales of Beach Boys' songs. The suit seeks compensatory and punitive damages against the law firm of Irell and Manella and against Werner Wolfen, an attorney with the firm. The action is a companion lawsuit to another $100-million suit filed last year against Irving Music, the publishing company owned by A&M General Corp.


    Articles about Werner Wolfen - latimes
     
  13. GaryAlan

    GaryAlan Well-Known Member

    At 83, Herb Alpert's Still In Love With The Music Gary G. Vercelli
    Friday, September 14, 2018 | Sacramento, CA
    Herb Alpert:
    "Karen was an extraordinary talent. She didn't really know how great she was, unfortunately," Alpert says.
    "She'd always say 'Ah, my strength is as a drummer.' Luckily for them, and us, I gave them 'Close to You.'
    That song was their major breakthrough song."

    More:
    At 83, Herb Alpert's Still In Love With The Music
     
  14. GaryAlan

    GaryAlan Well-Known Member

    Mediatribe: Dynamic Duo, BY STEFENE RUSSELL

    FEBRUARY 3, 2010
    ---Intro...
    "Hearing Richard Carpenter being interviewed by Terry Gross on NPR
    (to promote the remastered Carpenters collection 40/40) reminded me of one of the noblest missions of my life:
    to defend the music of The Carpenters from unfair, inaccurate and totally misguided accusations of being sappy.
    My dictionary defines sappy as “overly sentimental, silly or foolish,” none of which comes close to describing the intelligent AM pop music of this ‘70s-identified duo. In fact, if there were ever an instrument more pure, more honest, more carefully measured than the gorgeous voice of the late Karen Carpenter,
    it hasn’t -- at least to my weathered ears -- been invented yet."
    ----Conclusion...
    "There’s a lesson here for snobs, avoiders and elitists:
    You can be a fan of the most avant-garde jazz, the most hedonistic punk, the finest country and folk –
    but if you don’t appreciate the one-of-a-kind beauty of The Carpenters, you simply don’t get music.
    Take that, Terry Gross."

    More:
    Mediatribe: Dynamic Duo
     
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  15. GaryAlan

    GaryAlan Well-Known Member

    This is worth re-reading:
    Karen Carpenter in the Age of Irony
    "THE BLOG 03/14/2013 01:02 pm ET Updated Feb 02, 2016"
    ---
    "I chose Karen Carpenter for March, and my inbox was full. Full."
    "Emails upon emails. Requests, memories, and stories; people wanting me to know how much they love Karen Carpenter.
    And I don’t blame them. I adore Karen Carpenter myself."
    ---
    "Karen Carpenter’s voice isn’t big, or loud, or gymnastic. I don’t know if she would make it on American Idol today.
    It’s simple, real, but painfully alive. It’s filled with hope and promise, yet totally aware of the dark.
    It’s that mixture that grabs you, holds you and forces you to connect, to engage."
    ---
    "You could be “ironic” about Karen Carpenter. The music can sound hokey, all those strings, the French horns, and the ‘70s
    swirl that lives in so much of the sound. And it’s overly optimistic, and “wholesome” in a world that is increasingly less so.
    But as one 19-year-old put to me in her email, “I listen to Karen, and I feel less alone.”
    "That’s what great art is all about. It’s hard to see the irony in that."
    ----
    Source:
    www.huffingtonpost.com/justin-sayre/karen-carpenter-in-the-ag_b_2870762.html
     
    Jamesj75 and CraigGA like this.
  16. CraigGA

    CraigGA Well-Known Member

    If this would have been the single version in 1976 I don’t think I would have ever stopped listening to it. She and Cubby seemed to be in sync together as never before! They always were in the videos posted online. It must have something to do with trust in drummers.
     
    jaredjohnfisher likes this.
  17. She really “sells” it here; far more convincingly than the studio recording.
     
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  18. GaryAlan

    GaryAlan Well-Known Member

    This should prove beneficial to Richard Carpenter:
    The Music Modernization Act has been signed into law,
    Oct 11, 2018
    "What does all this mean ?
    First, songwriters and artists will receive royalties on songs recorded before 1972.
    Second, the MMA will improve how songwriters are paid by streaming services with a single mechanical licensing database overseen by music publishers and songwriters. The cost of creating and maintaining this database will be paid for by digital streaming services.
    Third, the act will take unclaimed royalties due to music professionals and provide a consistent legal process to receive them. Previously, these unclaimed royalties were held by digital service providers like Spotify. All of this should also ensure that artists are paid more and have an easier time collecting money they are owed."
    More:
    www.theverge.com/2018/10/11/17963804/music-modernization-act-mma-copyright-law-bill-labels-congress
     
  19. newvillefan

    newvillefan Well-Known Member

    I did not know that A&M Records took out a full page advert in Billboard when Karen passed away in 1983. Very touching.

    Billboard

    I am however quite surprised at the scant article Billboard itself included a week earlier.

    Billboard
     
  20. GaryAlan

    GaryAlan Well-Known Member

    Playlist: 15 songs from the best singers in music history
    #13. Karen Carpenter – “We’ve Only Just Begun”

    "Carpenter’s sweet and unforgettable alto elevated the songs of this band into a pop culture legacy.
    Another vocalist lost at a young age, hers is a timeless voice with its simplicity and pure talent."

    Source:
    Playlist: 15 songs from the best singers in music history
     
    Must Hear This Album likes this.
  21. Thanks for posting. Question for the forum: did any Carpenters albums chart immediately following Karen’s death as often happens with the passing of major artists?
     
  22. GaryAlan

    GaryAlan Well-Known Member

    ^^I am looking into your question (e.g., Billboard 1983).

    In the interim, we did get this from July 9th,1983 Paul Grein:
    Billboard Magazine, page 54:
    Karen Carpenter Remembered
    "LOS ANGELES -Richard Carpenter and the University Choir at California State Univ. at Long Beach
    mounted a fitting tribute to the late Karen Carpenter Saturday (25) at the First Congregational
    Church of Long Beach. The briskly paced two -hour concert stressed the joy in the Carpenters'
    music rather than the sadness of Karen's death. Lyricist John Bettis set the tone for the show in a
    light- hearted spot in which he performed the Carpenters' "Top Of The World" and the Pointer Sisters'
    "Slow Hand," both of which he co- wrote. ( "Can you believe we did that in a church ?" he exclaimed
    after singing the latter tune.) Dennis Heath, another choir alumnus, performed several songs,
    including "Look To Your Dreams," an eloquent Carpenter/Bettis ballad which is expected to
    appear on the Carpenters' studio album "Voice Of The Heart" in September. And, Richard Carpenter offered
    instrumental piano versions of such Carpenter/Bettis hits as "Yesterday Once More" and "I Need
    To Be In Love
    ." Carpenter also offered a jazzy version of "The Girl From Ipanema," with which the
    Carpenter Trio won the Hollywood Bowl Battle of the Bands in 1966. And Carpenter dueled with
    choir director Frank Pooler (coauthor of the Carpenters' "Merry Christmas, Darling ") on a medley
    of songs from the '30s and '40s, including such gems as Burton Lane and Ralph Freed's charming
    "How About You ?" and Kermit Goel's comical " Huggin' And Chalkin'." The show also featured the University
    Choir in a series of brightly arranged songs, including the pop/jazz classic "Cloudburst" and the
    gospel -rooted "Just A Little Bit Of Faith." The choir also performed such Carpenters hits as "For All
    We Know"
    and "We've Only Just Begun." "

    March 26,1983 Chart Beat, Billboard:
    "The Singles 1969 -1973 (A &M) returns to Billboard's pop album chart
    this week at number 134, six weeks after the tragic death of singer Karen
    Carpenter."
     
    Last edited: Oct 13, 2018
    Must Hear This Album likes this.
  23. adam

    adam Active Member

    Hi
    On the UK Album charts. Singles 1969 to 1973 charted at no 98 for one week on 19th february 1983.
     
    Must Hear This Album likes this.
  24. That's fairly typical that when a musical star dies, their Greatest Hits album will spike in sales.
     

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