• Two exciting new Carpenters releases are in the pipeline! The new book Carpenters: The Musical Legacy will be available on November 16, 2021 and can be ordered here. A big thanks to the authors and Richard Carpenter for their tremendous effort in compiling this book! Also, the new solo piano album Richard Carpenter's Piano Songbook is being released January 14, 2022, and is available for ordering here.

📣 News Carpenters: The Musical Legacy (Discussion)


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Richard Carpenter Shares Insights Into The New Carpenters’ Biography​

Published on November 16, 2021 By uDiscover Team

Richard Carpenter Shares Insights Into The New Carpenters’ Biography

Some 50 years ago, Richard and his sister Karen, better known as the Carpenters, were on top of the world – tirelessly touring, recording and promoting a blast of pop classics including “(They Long to Be) Close to You,” “We’ve Only Just Begun,” and “Superstar.”

A half-century later, Richard’s work ethic clearly hasn’t changed. From January to May of this year, Carpenter spent countless hours editing and rewriting the just-published biography Carpenters: The Musical Legacy (Princeton Architectural Press) with his co-authors, Associated Press reporter Mike Cidoni Lennox, and musicologist and Carpenters expert Chris May.

Richard authorized one other Carpenters biography published in 1994. But the writer delivered what Richard has called, “the anorexia book” – and in it, for the most part, the story of the Carpenters’ music went untold.

Subsequently, Richard had other offers to tell the duo’s story, but he wasn’t intrigued until Cidoni and May came along in summer 2018, the two noting they’d had enough of media features, documentaries, and books focusing on Karen’s eating disorder (anorexia nervosa) and the complications which led to her death in 1983 at the age 32.

After the writers promised to put the spotlight back on the duo’s career, specifically their recordings, “I agreed to become involved in the project and involved I became,” Richard writes in the book’s introduction.

Carpenter submitted to approximately 100 hours of interviews and gave the authors access to his rarely visited archive of thousands of Carpenters artifacts, including family photos, outtakes from album-cover shoots, legends from master tapes, handwritten itineraries. Although immaculately organized, most of the items were untouched for decades and never published.

While the writers were committed to keeping the book’s narrative strictly business, they insisted Carpenter address the duo’s personal demons – notably, his addiction to sleeping medication and her eating disorder – when they affected the recordings.

Carpenter lived up to the agreement, and then some. In fact, after reviewing the writers’ first draft of the book, Richard was adamant about more personal details being included.

“I didn’t want this to be yet another one of those authorized biographies where this famous person never admits to making a single mistake,” Richard explains during a press junket for the book in September. “Nobody would even believe that. Nobody’s perfect. We weren’t perfect.”

Weighing in at almost four pounds, and containing 344 pages and approximately 300 images, at first glance Carpenters: The Musical Legacy looks like a mere coffee-table book of pretty photos. But it’s really a genre buster: part biography, part memoir, and part reference guide. The book also includes a painstakingly researched discography, along with essays by (and interviews with) key Carpenters colleagues.

“For those who are just discovering the Carpenters or those who have been with us from the start and want to know every little thing about our career, this is the definitive tome,” Richard says.

In the late spring, Carpenter had yet to put finishing touches on the book when he began preparations for his third solo album. And by June, he was recording Richard Carpenter’s Piano Songbook, a collection of piano-solo versions of Carpenters greatest hits and fan favorites. Already available in Japan, it’s set for release worldwide by Decca on January 14.

Richard’s summer also included a trip to the Henson Studios in Hollywood, to shoot promotional videos for Piano Songbook. It marked Carpenter’s first time in nearly 30 years performing on the site of the former A&M Records lot, where he and Karen recorded all of their hits.

Returning to the Carpenters’ former home away from home “was quite emotional,” Richard recalls.

A barrage of media interviews plugging the book and album began in late August and will continue through the year, but on October 27, Richard got a night off to attend a private gala at The Wallis Center for the Performing Arts in Beverly Hills, where he was named a “Steinway Artist,” celebrating his career-long association with the 160-year-old instrument maker Steinway & Sons.

Richard has performed on Steinway grand pianos on all but one of the Carpenters albums, as well as on the new Piano Songbook album. He also has two Steinways in his suburban Los Angeles home.

At age 75, Richard Carpenter seems nowhere near retirement. On the horizon for 2022, there’s a retooling of the two Carpenters Christmas albums into one musically and sonically improved disc. And he’s already talking about tracks for a second piano-solo set, should the first one be a success.

But he’s also enjoying the moment: appreciating a book that finally gets the Carpenters’ story right, replying to letters from the bright new flock of young fans joining the millions who have embraced the duo over the course of the last 50 years, and happy – if not surprised – that the recordings he made with Karen have become a permanent part of the global pop-music tapestry.

Did Richard expect all this – the book, the new album, the continued Carpenters love – to happen at age 75?

“Never,” he replies. “It’s mindboggling and it’s thrilling.”

Carpenters: The Musical Legacy is out now.

Enter for a chance to win a copy of the Carpenters’ first officially authorized biography, signed by Richard Carpenter, Mike Cidoni Lennox, and Chris May.


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My book came today, two days earlier than expected! I can't wait to read it and thankyou Chris and Mike for such a lovely book!


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I have to point out something that really struck home in the new book.

Recently I scanned into the computer a bunch of old family photos for preservation. And as I looked at one of the pages of THE MUSICAL LEGACY, I was struck by the resemblance to myself at about that same age. This is a picture of Richard at the piano from a newspaper article, and the one of me right next to it was just a family snapshot. I don't know if you'll all agree, but to me it's surely a case of twin sons of different parents. So much of Richard's early story mirrors my own, from playing records down in the basement, to accompanying a church on occasion, to backing up a sister with a decent voice. Obviously, our paths diverted thereafter as I left the piano lessons and never sought to join a group or make any money at it.



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My copy is supposed to arrive by the weekend. I read the few reviews posted, so far, on Amazon.
I will post my own Amazon review once I have read the book.
Since the Princeton Architectural Press describes it as "The definitive biography..."
that will be my primary focus.


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I finished reading last night. Chris' discography is as interesting as the book itself! Be prepared to miss The Voice of the 20th Century even more after reading it.


I was born to belong to the lines of a song...
Just got an email from Amazon - book arrives early - like tomorrow! My 2nd best birthday present!


Ah am so steel een luv weeth yoo
I have to say I'm a bit disappointed that Richard complains about all the "multi-harmony overdubbing" and that "they've stolen our sound". That's simply not the case. The sound was Rod Temperton's. He'd been doing vocal arrangements just like that since the beginning of Heatwave in 1976. His vocal arranging style relies far more on Jazz than Richard's does. His is more a choral thing. The only time Carpenters really went Jazz in a vocal arrangement was on "B'wana" and that was a Gene Puerling arrangement. In short, Rod gave Karen his sound, not Richard's.

I'm on page 209 and still utterly into it. Very well-written all around.



I was born to belong to the lines of a song...
When I ordered the book at Amazon back in May it was selling for $35 - when it shipped the other day it was listed for $29.99, which is what I was finally charged - that savings is 2 cups of Dunkin Donuts coffee while reading it...looking forward to doing so with eager anticipation.


I was born to belong to the lines of a song...
Announcing The Arrival - a Blessed Event for sure...
Thumbing through initially and came across the last heart warming line of Tom Nolan's "Reflections..." - so very true & no maybes about it...

Chris Mills

That was funny....like the dark vomited up
My copy arrived this afternoon, I can't wait to start reading this book. It looks amazing and I know will give hours of pleasure to all Carpenters fans.

Rick-An Ordinary Fool

Well-Known Member
I received my book today in the mail...so happy it arrived a few days early.
It's quite heavy, I took a peak under the paper cover and the logo is embossed, nice touch!! Can't wait to read all the goodies inside and the pics
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